Her Pink Palace is populated by Jill, Ritchie (Olly Alexander), Colin (Callum Scott Howells), Roscoe (Omari Douglas), and their wider group of friends. In the show, Jill is played by Lydia West (with her mother played by the real Nalder).
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Living in an apartment lovingly dubbed “The Pink Palace,” it became a safe space for her queer friend group until AIDS killed many of her best friends as the government stood by and watched. Davies decided to center It’s A Sin on a character based on his friend Jill Nalder, who moved to London in the 1980s to pursue acting. Until now, he wrote in a moving essay for The Guardian he didn’t feel he could unearth the pain he buried back then for his work. HIV and AIDS had been the constant story of all gay men popping up in fiction - in cop shows, in dramas, in soap operas - they would inevitably drag the disease with them.” Years later, Queer as Folk has gained a cult following and new cultural appreciation, having offered a new depiction of the lives of gay men to a general audience accustomed to tragic stories of death and fear.īut Davies lived through the AIDS epidemic, watching many of his peers die as he tried to live his life. And I was absolutely determined that we would stop being defined by an illness.
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Both queer and straight activists criticized the series at the time for choosing not to portray the AIDS epidemic at all, with Davies telling the New Yorker that “ was beginning to not be a death sentence. His first series, Queer as Folk, debuted in 1999 on Channel Four and spawned a popular American remake. Davies is no stranger to acclaimed queer television. But in recent memory, no play, film, or television series meant for a broad audience has come close to the impact that It’s A Sin has had as it brought the tragic and utter meaninglessness of the loss of life during the AIDS epidemic to viewers worldwide. Recently, 120 Beats Per Minute, tick…tick…BOOM! and The Inheritance tackled the legacy of the epidemic to great acclaim. There are plenty of classic works like The Normal Heart or Angels in America that delve into the impact that AIDS had on the queer community. Human brains aren’t meant to comprehend these kinds of statistics, so we turn to art to make sense of our loss.
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Ben Blackall/HBO MaxĪs we are now learning again with the COVID-19 pandemic, these numbers mean next to nothing on their own. According to the British Academy, by 1995 in the US, “one gay man in nine had been diagnosed with AIDS, one in fifteen had died, and 10% of the 1,600,000 men aged 25-44 who identified as gay had died.” Even today, there are 38 million people living with HIV worldwide. An entire generation of queer people was gone in an instant. Between 19, 324,029 men and women died of AIDS in the US alone. With advances in treatments making HIV a disease that can be lived with, it is difficult to portray the scale of the disaster AIDS was for the LGBTQ community in the 1980s and 90s. In 2021, the AIDS epidemic was barely a distant memory for most young LGBTQ people, associated with a paragraph in a dusty history book or from ads for PreP. Today’s spotlight focuses on the groundbreaking drama series It’s A Sin, which made an impact on both sides of the Atlantic for its unflinching portrayal of the impact of HIV/AIDS on a group of friends in the United Kingdom.
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We will focus on fictional characters, celebrities, and activists alike - the positive voices within the LGBTQIA+ community and in mainstream media. Welcome to the latest installment of our 2022 Pride Month Series! Each weekday in the month of June, we will be highlighting a different member of the LGBTQIA+ community who we think is a great example of representation and dynamic characterization.